[Links for UWE 2nd year Drawing & Print students, following my visit on 2nd Oct.]
If you want to read the 12 hour comic I talked about, it’s in another post on this site.
Scott McCloud’s original 24 hour comic can be read in its entirety at scottmccloud.com.
Information about last weekend’s International 24 Hour Comics Day.
Les 24 heures de la bande dessinée – the Angoulême BD Festival 24 hour comic event.
Dan Berry has provided a great deal of useful information about the LICAF 2014 24 hour comics marathon: Aims, preparation and a report of the event.
VIDEO: Alfred Hitchcock explains the Kuleshov Effect.
If you want to complete one page per hour you might consider using a timer to stay on track. Frequent short breaks can be helpful, especially late at night. The Pomodoro Technique is a simple method for scheduling breaks.
Other time-restricted comics exercises:
Hourly Comics. Some examples:
John Campbell’s Hourly Comics (done every January day, 2006-2010).
Kristina Baczynski’s 2015 hourly comic.
A selection of Hourly Comics Day 2014.
A 24 Minute Comics manifesto.
IDENTITY: Coincidentally, the theme of the new anthology from One Beat Zines.
Finally, a short list of completed 24 hour comics:
Huma Am by Ricky Lima
Alloy by Studio Octan
Legacies by CuteJuice
Holle a Finnish 24 hour comic
Untitled by Jorge Santiago Jr
Untitled by Tony Smerek.
I have an Instagram account at http://instagram.com/simongurr which I use primarily for posting works in progress, warm-up sketches, and test drawings. Here are some images I’ve uploaded in the last few months.
Submission for the Draw Vader project run by James Howard
Rob Williams created Cla$$war, LowLife, The TenSeconders, The Royals and most recently Ordinary. He has thrown the likes of Wolverine, Judge Dredd and RoboCop into perils of his own devising. He was one of the brains behind 2000AD‘s cross-narrative spetacular Trifecta. In short, he writes good comics. So I was delighted to have the chance to draw one of his scripts, especially when I read it and saw how funny it was. Continue reading
A lot of the comics I’ve drawn or written have had a fairly small audience (or a big audience, but in a small location), chances are you’ve missed them. So here are ten comics I’ve done or am doing.
Comics written and drawn by me:
Lac in Black
This was my entry for the Thought Bubble 2013 Comic Art Competition and will be published in the 2014 Thought Bubble Anthology later this year. It’s a conversation between a father and son about the insects used in the manufacture of old shellac records and artist’s ink.
ORT is my first self-published solo comic for a long time. It’s set in Iceland – one of my favourite places on Earth – and has a lot of birds in it. And it
should will be finished in time for Thought Bubble.
Inspired by the star-studded 24-hour comics marathon which Dan Berry is running for this year’s Lakes International Comic Art Festival, I wanted to try making a 24-hour comic myself. However, domestic and professional time pressures meant that was impossible this month, so I decided to do a 12-hour ‘half marathon’ instead.
I started at 7PM on 11th Feb (with only a vague idea of what I was going to do) and finished at 7 this morning.
140 CHARACTERS is a small sketchbook of some of the drawings I‘ve posted on Twitter. In the previous post I talked about the images from 2008 which make up the first chapter of the book. Here are the drawings from 2009.
Brush & marker pen on paper
Sketchbook drawing of Pete Postlethwaite, done for my own enjoyment.
140 CHARACTERS is a small sketchbook of some of the drawings I ‘ve posted on Twitter. This is the first of a series of posts showing what’s in the book and giving some extra information about each drawing.
When I joined Twitter in 2008 I was doing a lot of comic workshops in schools around Bristol, following the publication earlier in the year of The Bristol Story, a 200-page comic book history of the city written by Eugene Byrne and drawn and lettered by me. It was also the year of a couple of Italian-set comics, Caravaggio and Romeo & Juliet.
Pencil on paper, digitally coloured.
This drawing started life in 2006 as one of a set of illustrations for a book of short stories about Isambard Kingdom Brunel. My favourite in the series, I came back to it and altered it to make a limited edition giclée print.